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Monstrum: The Original Headless Horseman

5 minutes 51 seconds

Now Playing As: Captioned (English) (change)

The Irish Dullahan not only helped inspire "The Legend of Sleepy Hollow," but as Dr. Zarka will show, they are much scarier than Washington Irving’s monster. These headless monsters of Celtic lore are connected to horses, carriages, and graveyards, and they cannot be defeated. The Dullahan can be male or female, but they are always headless, a characteristic that makes sense given Ireland’s social and religious history. Ultimately this monster is a personification of death. Part of the "Monstrum" series.

Media Details

Runtime: 5 minutes 51 seconds

Topic: Arts, Geography, Literature
Subtopic: Europe, Folklore, Storytelling
Grade/Interest Level: 9 - 12
Standards:

Release Year: 2019
Producer/Distributor: PBS Digital Studios
Series: Monstrum

2-page view of a book filled with writing in Hebrew. Text on screen reads, "Torah."

Blonde woman wearing a light pink shirt and long earrings holds up her hands as she talks. Behind her is a background of a cartoon forest with snow falling in low, gray light.

Blonde woman wearing a black shirt and a wooden necklace holds up her hands as she talks. Behind her is a background of a cartoon forest in low, brownish light.

Split screen. On the left is a digital cartoon of 3 shirtless cyclops forging objects out of metal in front of a fire. On the right is another cartoon cyclops wearing a dark red toga holding a shepherd's staff next to a goat in a cave.

Blonde woman wearing a black shirt with part of a skeleton costume stands outside in front of a large mural depicting a battle between Native Americans and European settlers.

Blonde woman wearing a blue and white striped shirt talks in front of a cartoon background depicting dirt hills with 1 small tree.

2 sepia-tone images. The left is a sketch of 3 women wearing striped dresses and fancy shawls with 2 men looking on from afar. The right is a photo of a woman with long, dark hair in a long dress leaning an arm across the back of a small chair.

Black and white image. Crowd of men in suits with slicked hair and fedoras hold pencils and notebooks. A woman writing in a notebook sits next to them on their left.

Closeup of a gray and white cat with green eyes and long white whiskers.

Scrap of a painting that depicts Medea grasping her children while holding a dagger in 1 hand. Title bar reads, "Medea About to Kill Her Children. Eugéne Delacroix, circa 1862."