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Monstrum: Why George Romero Changed Zombies Forever

19 minutes 42 seconds

Now Playing As: Captioned (English) (change)

Considered the “godfather of zombies,” George Romero’s 1968 film "The Night of the Living Dead" introduced the flesh-eating reanimated corpse to popular culture. Notably, the Romero zombie’s introduction during a time of great political and cultural unrest in America impacted how it was received and its continued popularity. This is part two of a three-part special. Part of the "Monstrum" series. Please note this title may contain mature themes.

Media Details

Runtime: 19 minutes 42 seconds

Topic: Arts, Language Arts, Literature
Subtopic: Classic Movies and Television, Folklore, Storytelling
Grade/Interest Level: 9 - 12
Standards:

Release Year: 2020
Producer/Distributor: PBS Digital Studios
Series: Monstrum
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2-page view of a book filled with writing in Hebrew. Text on screen reads, "Torah."

Blonde woman wearing a light pink shirt and long earrings holds up her hands as she talks. Behind her is a background of a cartoon forest with snow falling in low, gray light.

Blonde woman wearing a black shirt and a wooden necklace holds up her hands as she talks. Behind her is a background of a cartoon forest in low, brownish light.

Split screen. On the left is a digital cartoon of 3 shirtless cyclops forging objects out of metal in front of a fire. On the right is another cartoon cyclops wearing a dark red toga holding a shepherd's staff next to a goat in a cave.

Blonde woman wearing a black shirt with part of a skeleton costume stands outside in front of a large mural depicting a battle between Native Americans and European settlers.

Blonde woman wearing a blue and white striped shirt talks in front of a cartoon background depicting dirt hills with 1 small tree.

2 sepia-tone images. The left is a sketch of 3 women wearing striped dresses and fancy shawls with 2 men looking on from afar. The right is a photo of a woman with long, dark hair in a long dress leaning an arm across the back of a small chair.

Black and white image. Crowd of men in suits with slicked hair and fedoras hold pencils and notebooks. A woman writing in a notebook sits next to them on their left.

Closeup of a gray and white cat with green eyes and long white whiskers.

Scrap of a painting that depicts Medea grasping her children while holding a dagger in 1 hand. Title bar reads, "Medea About to Kill Her Children. Eugéne Delacroix, circa 1862."