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If Cities Could Dance: Honolulu, HI / Hula

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      [gentle music]

      (Describer) KQED.

      Aloha, I'm Snowbird Puananiopaokalani Bento here in Honolulu, Hawaii, land of the hula. This is "If Cities Could Dance."

      [ho'opa'a chanting in Hawaiian]

      (Snowbird) Hula is the way that [speaks Hawaiian] of Hawaii or native peoples of Hawaii tell our stories.

      (Pilialoha) And it's a spiritual endeavor as much as it is a physical.

      (Kilinoe) And a hula dancer, we are recorders of time and events that will eventually be retold in the future.

      (Diane) How are we gonna make sure that the messages of these dances are gonna carry on forever?

      [upbeat music]

      (Describer) If Cities Could Dance: Our history, our culture, our moves. During the pandemic. Honolulu Hula.

      ♪ Come on, yeah ♪

      [gentle music)

      (Diane) In Honolulu, you have the tourism industry offering a very entertainment- focused style of hula. And then you have hula for cultural perpetuation, for ceremony, dancing hula to really internalize the messages of our [speaks Hawaiian], our ancestors.

      (Describer) Diane Leinani Paloma. She moves her arms gently. Snowbird Puananiopaokalani Bento dances in a park.

      [Snowbird sings in Hawaiian]

      [Snowbird chants in Hawaiian]

      (Snowbird) Hula needs the words because that's where the story is. We come from an oral tradition.

      We pass on our [speaks Hawaiian], our history.

      Our [speaks Hawaiian], they could hold hundreds of years' worth of generations of [speaks Hawaiian] just through remembering the words of a chant.

      [Snowbird chants in Hawaiian]

      (Describer) Translated: Hold fast oh child to your heritage.

      The word au'a is to stand apart. This comes from the prophecy that the big fishes will come and swallow up the little fishes and that we are to hold fast to the culture. Hula is the way that we ensure that we are not erased from our own history in our own land.

      [Snowbird chants in Hawaiian]

      [sings in Hawaiian]

      (Snowbird) I am a kumu hula, and one of the definitions of kumu means to be the source of knowledge. I started formally dancing hula when I was nine years old, but I knew from a young age that I loved this so much because it was so much a part of this land

      that I belong to, that my [speaks Hawaiian] come from.

      We're a generation where our parents fought so that we could speak Hawaiian. As a kumu hula today, the ability for me to speak my language and to have my cultural practice as intact as it still is mind-blowing.

      [Snowbird chants in Hawaiian]

      (Describer) Pilialoha Kamakea-Young.

      (Pilialoha) With the suppression of hula in the 1800s, it's amazing that we still have hula available for us today. In the early 1800s, after the arrival of Calvinist missionaries from New England and as Hawaii started to convert to become a Christian nation, the art of hula was seen as lascivious and almost heretical. And so hula got pushed into underground scenes that were maintained in secrecy. And it wasn't until Kalakaua became king in the 1870s in which hula was revived to its former glory, and Kalakaua included hula as a major part of his two-week coronation celebrations. And so hula was seen publicly for the first time after decades of being pushed underground on the grounds of Iolani Palace. Iolani Palace is significant to the revival of hula that we see today and that we're able to enjoy today. [drums beating)

      (Describer) They dance in front of the palace near a large statue of the king.

      [Snowbird chants in Hawaiian]

      (Snowbird) Hula was passed down through a very small group of people who then taught it to another finite group of people. So to be part of this continuum as a kumu hula, that's pre-destined, I believe.

      [Snowbird chants in Hawaiian]

      (Describer) Views around the island show the tall buildings and clear water.

      One of the ways that we keep hula alive today is through the uniki process.

      (Pilialoha) First tier of uniki is to become an olapa, which is the dancer.

      (Kilinoe) You have to work hard to be a hula dancer. It definitely takes tears, blood, and plenty of sweat.

      (Pilialoha) The second tier would be ho'opa'a, the vocal and musical accompaniment to the dancers in which you memorize and chant the songs and lyrics that inspire the dancer. And then finally, the third and final step in the uniki process is to become a kumu hula. And now you're entrusted to be the one to maintain the teachings beyond just yourself.

      (Snowbird) Then your kumu will decide if you're ready to become a source of knowledge and hula. [gentle music)

      (Describer) Clouds stream over the volcano’s crater. Waves crash over rocks.

      [gentle music continues)

      (Diane) Even though I've been dancing for 30-something years, I still feel the more you know, the more you realize how much you don't know.

      (Kilinoe) The hula helps me vision what Honolulu used to be and could potentially be again.

      (Pilialoha) To be a dancer today is a true gift. Knowing that there was generations

      of fearless, strong [speaks Hawaiian] who fought

      for the tradition to stay alive past them.

      (Snowbird) Hula is the way that we express our feelings about our people, our land, our history. It is embedded in our identity as [speaks Hawaiian], and it is embedded in who we are as a part of this world. Mahalo for watching. We would like to know where you would like "If Cities Could Dance" to go next. Drop a comment below and mahalo again. Aloha. [gentle music)

      (Describer) Accessibiliy provided by the US Department of Education.

      Accessibility provided by the U.S. Department of Education.

      Transcript Options


      Now Playing As: English with English captions (change)

      Honolulu is home to tourism hotspot Waikiki, and many of the city’s beachfront hotels host lavish luaus showcasing styles of hula influenced by Western music and instrumentation. But for Native Hawaiians, the origins of hula are deeply spiritual and rooted in Hawaii’s creation stories and the history and culture of their kupuna or ancestors. Driven by the mele (poetry), hula marries movement with spoken word to express stories about specific deities, people, places, and events. Part of the "If Cities Could Dance" series.

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